|
Everything
Is OK
|
|
anne maree barry says hi |
affiliatesAnneMareeBarry Still Films Dark Light Paul Rowley Eoghan Kidney Alan Butler My Tweets My Vimeo Common Ground Mad decent Warrior One Cake |
Wednesday, February 11, 2009 @ 4:07 AMbubbly bubbly
Latest craze in London town. I hate the sound of the genre 'funky' house but this track has got mine and others attention. Labels: music, music influence, Specific Dance Moves, Stuff I like, You Tube |
|
Wednesday, June 4, 2008 @ 3:56 PMSteve Reich
I found this interview over on Pitchfork .I was introduced to the work of Steve Reich in art school by one of my tutors, Sean Taylor, who once gave a lecture on sound and contemporary classical music. Recently, music has begun to inform my practice directly. My documentary short concerning the Rialto Twirlers primarily focuses on rhythm, movement and colour. I have been thinking about the soundtrack for quite a while now and how it will compliment the visual - perhaps by using a continual sound and shifting the rhythm by their hypnotic movements. Steve Reich:Part One Steve Reich:Part Two Labels: Anne Maree Barry, music influence, Pitchfork.tv, Rialto Twirlers, Sean Taylor, Steve Reich |
|
Tuesday, May 20, 2008 @ 2:28 PMGhislain Poirier
Labelled as 'global ghetto tech' Ghislain Poirier djs at Kaboogie, Traffic, this Friday. I included his remix of Brooklyn Anthem - Team Shadetek - on my Missognus Mix. The Montreal-based producer's blend of ragga, hip-hop and grime beats are quite infectious - if this gig is as good as Buraka Som Sistema (Crawdaddy, Oct Bank Holiday Weekend 2007) then I better wear my trainers. Ghislain Poirier - My Space LinkGhislain Poirier - Blazin feat. Face T Labels: Anne Maree Barry, Buraka Som Sistema, Ghislain Poirier, Gigs-Dublin, Kaboogie, misogyny, missognus mega mix, music influence, Team Shadetek, Traffic |
|
@ 1:07 PMAbsence makes the heart grow
My absence on this blog has been due to a number of elements - some meets, contemplative moods, a 16mm film course, live music and social behavior. This was a necessity as there are only so many clips one can watch on You Tube for inspiration. ![]() Jamie Lidell @ The Academy, Dublin Jamie Lidell at The Academy (May 3rd) was a disappointment. He came out on stage and burst into song - without taking a breath he sang two more. His voice does sound great live but I felt uncomfortable - it was obvious that he was going through the hundrum routine of another gig. The best part was when a member of his backing band started messing with a vocoder (it was so ridiculous that I laughed out loud) - and Lidell went back to what he knows best - using effects and samples. At the latter half of the gig he repeated the 3 songs he sang at the start but with a different rhythm. This is something you can have perhaps at a dancehall show but maybe not at this kind of gig - especially when I had actually paid for my ticket. The main thing I'll take from this gig is that there is only one person that can get away with wearing silk-pjama-like trousers on stage, and that's Jamie Lidell. Ghostface Killah was at the Tivoli, May 15th. The first forty minutes were kind of great, however it abruptly transformed into a pantomime. Girls from the crowd were asked to go on stage to dance around to a track about pussy. It subsequently got worse with a battle between Dub-a-lin wannabe rappers - which was embarrassing. No encore, just the guys that MC with Ghostface selling t-shirts and CDs - shouldn't that happen in the venue - not from the stage? After all these disappointments, I went to Ladytron last Friday (May 16th) at Tripod with no expectations. They revived my interest in live music - making visual cinematic landscapes with their sound. If they are at The Electric Picnic this year I will definitely go and see them. Nothing beats women that rock. Labels: Anne Maree Barry, Choicecuts, Dublin, Ghostface Killah, Gigs-Dublin, Jamie Lidell, Jim, Ladytron, music, music influence, Tivoli, Tripod |
|
Wednesday, April 30, 2008 @ 1:49 PMMultiple Fictions
Jamie Lidell will be performing his new album Jim at The Academy, Dublin, this Saturday. Lidell is known for layering tracks made with his voice into a microphone, performing the percussion and melody as a sequenced one man band. Over these pre-recorded voices, he sings soul-inspired songs. Taking things further than Multiply, Lidell appears to have found the balance between the spontaneous creativity of his raw ideas and how to carefully craft a popular work of art. The result is quite a polished record, one which makes Lidell, marketable. Below, a recent interview with Pitchfork where he discusses why he is making pop, new single Little Bit of Feel Good (2008) and the sultry Daddy's Car (2000) which is a finer example of how raw his creativity can be. Jamie Lidell Interview - Pitchfork.tv Jamie Lidell - Little Bit Of Feel Good (2008) Jamie Lidell - Daddy's Car (2000) Labels: Anne Maree Barry, Dublin, Gigs-Dublin, Jamie Lidell, Jim, music influence, Pitchfork.tv, The Academy |
|
Tuesday, April 22, 2008 @ 3:57 AMMissOgnUs Mega Mix
Inspired by a long conversation about misogyny in hip-hop with the artist Declan Clarke, I decided to make this mix. It combines what is fresh in hip-hop and other genres such as funky/niche and baltimore club. Boys and girls discuss widely differing topics, from beating with a branch the girl that slept with your boyfriend, through to immigration difficulties, but many of the songs contain what could be construed as misogynous lyrics (even if they are delivered by women). The Guardian has an influx of letters regarding Jay-Z headlining at Glastonbury - one journalist is delighted to have the chance to sing along to Jay-Z hits in the rain, and believes the criticism of Jay Z's headline slot reflects an underlying racism from the critics of the festival line up, whilst a reader suggests that the journalist must have no problems with misogyny as the song contains the pithy couplet: "If you having girl problems I feel bad for you son, I got 99 problems but a bitch ain't one". Im not a fan of Jay-Z but I am a fan of Dr. Dre's Chronic 2001 which does contain misogynous lyrics. What is that saying about me? Am I a bad woman? MissOgnUs Mega Mix (mixed by A.M.) Track list: Vampire Weekend - Cape Cod Kwassa Kwassa (Black Dominoes Remix)Rye Rye - Shake It To The Ground (Air Jahed Remix) Spank Rock - Loose (DJ Ayres Remix) Afrikan Boy - Lidl Spank Rock - Bootay Wiley - Wearing My Rolex Dizee Rascal - Pussyole (DJ Beware Remix) M.I.A. - Big Branch Fannypack - Theme from Fannypack Pase Rock - Lindsey Lohan's Revenge Ciara featuring M.I.A. - My Goodies (Richard X Remix) The Gossip - Yr Mangled Heart (Tiga's Congobreak) Team Shadetek - Brooklyn Anthem (Ghislain Porier Remix) Ghostface Killah - Charlie Brown (DJ Mehdi Remix feat. Mapei) Labels: Afrikan Boy, Anne Maree Barry, Ciara, Dizee Rascal, Fannypack, Ghostface Killah, M.I.A., misogyny, missognus mega mix, music, music influence, spank rock, Team Shadetek, Vampire Weekend, Wiley |
|
Thursday, March 27, 2008 @ 4:26 AMSexual Eruption
In the past few weeks I have noticed a revival of the Funkadelic/Parliament vision of the futuristic. The DFA remix of M.I.A.'s Paper Planes, while more reminiscent of an updated clash than p-funk, has laser beam shooting effects instead of the gun shots that you hear in the original. I watched a random episode of The Mighty Boosh and the character Old Gregg had a Funkadelic funk. Old Gregg's story of how he got this funk was portrayed by an animation akin to the illustrations that are seen on the album covers of funkadelic records. The video below is Snoop Dogg having a great old funkadelic time. Hardcore fans think he is selling out by using a vocoder but I think it's genius. Snoop Dogg 'Sexual Eruption/Sexual Seduction' (2007/2008) Funkadelic 'I Got A Thing, You Got A Thing, Everybody's Got A Thing' 1970 Labels: Anne Maree Barry, funkadelic, music, music influence, Music Videos, snoop dogg |
|
Saturday, March 15, 2008 @ 3:13 AMBlonde Ambition
![]() Roxy Cottontail is Blonde Ambition endorsing Hilary Clinton. Check the mixtape put together by one half of Hollertronix - Low Budget (Mike - a lovely American/Irish guy from Philadelphia) who I've been showing round Dublin when he has been djing here. Roxy Cottontail: Blonde Ambition (mixed by Low Budget) (direct link) Labels: Anne Maree Barry, Blonde Ambition, Hollertronix, Low - bee, music influence, Roxy Cottontail |
|
Saturday, March 8, 2008 @ 3:24 AMWatch her feet
This is old news but something I quite like - M.I.A. has the same shoes as The Rialto Twirlers' wear to perform. I am going to twirling/majorettte practice in a few hours just to chat with Denise the co-ordinator and show her my sketch animation to see what she thinks. After the disastrous baton twirling competition a couple of weeks ago they are now back on form and using Pom Poms for the next competition in June. I am at the stage where I realise this is going to be a very long project. I am also beginning to think I need to narrow down what I want to achieve - and focus on making a documentary. This is going to be quite a challenge - as I am one person but when needs be I am positive I can get help. With all the footage I am sure I can make experimental shorts at my leisure. This shoot with M.I.A. was shot in Kehinde Wiley's studio. His paintings are based on photographs of urban black men who Wiley sees on the street. Dressed in street clothes, they are asked to assume poses from the paintings of Renaissance masters, such as Titian and Tiepolo the result being a fusion of hip-hop and art history. This juxtaposition, classical vs. contemporary has been seen before, most noticeably Tom Hunter's photography work 'Living in Hell and other Stories' where staged photographs are derived from Renaissance paintings whilst being influenced by stories from the Hackney Gazette. However, I got a funny feeling that Wiley is doing something different. Labels: Anne Maree Barry, music influence, Rialto Twirlers |
|